Publishers: DONEMUS and PEER Clasical for North America.

Duration: 12:00.

POSTNUCLEAR WINTERSCENARIO No.12 for orchestra is based on the original version for piano. On  January 23 1991, just after the Gulf War broke out, I felt speechless and unable to compose. In the media, meteorologists predicted apocalyptic consequences for the climate and the environment, similar to the effects of a nuclear war. They called it a ‘postnuclear winterscenario’. I decided to express my speechlessness in music. In just a few hours Postnuclear Winterscenario No.1 for solo piano was written, the simplest music I ever wrote.  A looped ‘melody’ consisting of one single note, the E, is accompanied by just four different notes: B, A, G, F#. No rhythmic, melodic or harmonic developments. The main way of expression is in the repetition and the delivery. No.1 was performed worldwide by Kees Wieringa, even in Iraq, on the ruins of Babylon.

Musicians asked me to arrange other ’scenarios’ for their ensemble and so I wrote more melodic versions for string quartet, for choir, for percussion, for one and two guitars, for two pianos, for saxophone quartet, for string orchestra and finally in 2005  for symphony orchestra. Each scenario is a bit different, but they all have in common speechlessness about war and devastation.